Photo above by Greta Costello
Teaching Philosophy:
I place an emphasis on mixing theory, practice, and collaboration. I have a strong focus on contemporary European/ Australian theatre and global performance. Theatre with a purpose: to inform, educate, and challenge audiences. I challenge students to articulate and evolve their practice as theatremakers, to look beyond theatre's trivialisation as entertainment by the media, and ask what is the role and function of theatre in not only their society, but in our modern, global world. I encourage actors to tell a story with their physical and emotional presence, as well as knowledge and research to help make intelligent choices and see the text as a whole from a director's perspective.
Research / Teaching Interests:
PhD candidate - Audience Reception of Live Performance in a European Context, 2011-2013
University of Melbourne (currently an independent researcher)
Master of Arts – Text and Performance Studies, 2004-2006
Kings College, London/Royal Academy of Dramatic Art
B.A. German Language and Culture
Heidelberg University, Germany
TAE 40110 Certificate VI in Training and Assessment
Member :
International Federation of Theatre Research (IFTR)- Political Performances Panel
Performance Research International (PSi)
Recent Lecturer Positions:
RMIT - M.A. Arts Management, Intro to Arts Management,
National Theatre Drama School - Devising for Performance, Elements of Theatre 1 and 2 in Advanced Diploma of Acting Degree
Victorian College of the Arts - Acting 1- Short Courses, Acting for Musical Theatre
AIM (Australian Institute of Music)- Cultural Policy, Creativity, and Research in (Undergrad and Postgraduate Arts Management degrees as well as Acting 1.2. and 3 in the B.A. Music Theatre.
I place an emphasis on mixing theory, practice, and collaboration. I have a strong focus on contemporary European/ Australian theatre and global performance. Theatre with a purpose: to inform, educate, and challenge audiences. I challenge students to articulate and evolve their practice as theatremakers, to look beyond theatre's trivialisation as entertainment by the media, and ask what is the role and function of theatre in not only their society, but in our modern, global world. I encourage actors to tell a story with their physical and emotional presence, as well as knowledge and research to help make intelligent choices and see the text as a whole from a director's perspective.
Research / Teaching Interests:
- Political Theatre, Postdramatic Theatre, Intercultural and Global Performance
- Audience and Reception Studies - the role theatre/cultural industries plays in different cultures based on history, cultural politics, funding and how this filters down to audience reception of new work
- Cultural Policy
- Translation Studies and Theatre, Devising and Writing for Performance
PhD candidate - Audience Reception of Live Performance in a European Context, 2011-2013
University of Melbourne (currently an independent researcher)
Master of Arts – Text and Performance Studies, 2004-2006
Kings College, London/Royal Academy of Dramatic Art
B.A. German Language and Culture
Heidelberg University, Germany
TAE 40110 Certificate VI in Training and Assessment
Member :
International Federation of Theatre Research (IFTR)- Political Performances Panel
Performance Research International (PSi)
Recent Lecturer Positions:
RMIT - M.A. Arts Management, Intro to Arts Management,
National Theatre Drama School - Devising for Performance, Elements of Theatre 1 and 2 in Advanced Diploma of Acting Degree
Victorian College of the Arts - Acting 1- Short Courses, Acting for Musical Theatre
AIM (Australian Institute of Music)- Cultural Policy, Creativity, and Research in (Undergrad and Postgraduate Arts Management degrees as well as Acting 1.2. and 3 in the B.A. Music Theatre.